Category: Concerts

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The concert at the Shevchenko Hall was presented in collaboration with a cellist Marianna Zmiievska (Ukraine), whose artistic contribution played a central role in shaping the overall concept of the program. The performance was built around dialogue and mutual musical responsibility rather than a soloistic display.

The program explored contrasts of texture, character, and form, requiring close coordination and shared interpretative decisions. Particular attention was given to ensemble balance, phrasing, and structural clarity.

This concert reflected an active stage of collaborative work and artistic exchange, emphasizing precision, listening, and a shared musical direction.

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On January 16, I performed a solo piano recital at Carnegie Hall in New York. This appearance represented an important professional milestone and a significant moment in my artistic development.

The program consisted of solo piano works from the Romantic and early twentieth-century repertoire, focusing on music that combines structural clarity, expressive depth, and stylistic integrity. The selection reflected my long-term artistic interests and approach to interpretation.

Performing at Carnegie Hall, a venue with exceptional acoustic qualities and a distinguished musical legacy, was both a responsibility and a valuable artistic experience. I am grateful for the opportunity to present my work in such a context and for the support of everyone who contributed to this performance.